David Ciccarelli has done it again. We can’t stop talking about his business meddling with our business.
Just look at how many times you see the Voices dot com (VDC) logo pop up whenever someone inadvertently creates a hyperlink to the Canadian website. Hurray, another field day of free publicity for the most pervasive and obnoxious company in voice-over land!
For those who don’t know what the buzz is all about (where were you?), here’s what happened.
On February 25th 2019 Voices dot com announced they’re going to offer synthetic voices to their customers thanks to a partnership with VocaliD. That’s a Voice AI Company (artificial intelligence) in Massachusetts that creates customized digital voices to make sure not everyone who needs an artificial voice sounds like the late Stephen Hawking. These days, VocaliD is making voices for all sorts of things that talk.
Why this partnership? The idea is that new computer-generated voices are going to be based on recordings from VDC voice actors and then converted into synthetic speech engines. This way, a brand can select its own unique voice for their applications.
BIG SURPRISE
When the news just broke, voice-overs responded with shock, fear, and disbelief. Why would VDC be competing with itself by giving clients the option of picking a cheaper artificial voice over a real voice? Is VDC even allowed to use the samples in their voicebank without permission from the talent? Will this put voice actors out of business? Is this yet another nail in our coffin?
Here’s what I think.
First of all, no one should be surprised by this partnership deal. VDC-CEO David Ciccarelli has been consistently clear about his agenda. Like Dr. Evil in the Austin Powers movies, he wants one thing: world domination. He wants his company to be the number one resource for voices on the planet.
Remember that VDC wasn’t founded to make sure all these lovely voice actor people have something to do. Ciccarelli’s main purpose is to turn a profit and to make his company more valuable each and every year. In that respect, strategic alliances like the one with VocaliD make perfect sense. It opens up a brand new market.
SMART SPEAKERS
More and more devices and applications use artificial voices to communicate with their users. It’s much easier and cheaper to make a computer say anything you want for as long as you want. You don’t have to pay extra for retakes or have to hold the clammy hand of inexperienced talent. The public is already accustomed to interacting with these fake voices. Amazon alone has sold more than 100 million devices with Alexa on board.
Now, can VDC simply repurpose the recordings in their voicebank and have VocaliD use them to create synthetic voices without compensating voice talent? Read Article 6 in their Terms of Service:
“any (non-union) work submitted through their platform is subject to the following, “… the Talent assigns to [Voices Dot Com] all right, title and interest, absolutely, to the copyright and other intellectual property in or relating to the Talent’s Non-Union Work Product throughout the world, free of all licenses, mortgages, charges or other encumbrances, unless agreed otherwise by the parties in writing.”
In other words: once you’ve uploaded your audio to the VDC server, you no longer own your recording. VDC does. As WoVo president Peter Bishop put it:
“It is clear that any work submitted to Voices Dot Com can be reused in a manner which VDC deems appropriate, with no further consideration of the talent.”
VoiceOverXtra’s John Florian asked David Ciccarelli for a reaction. He said that the company’s archived recordings are off limits to VocaliD. His vice president of marketing, Alina Morkin, added:
“Voices found on files on our system, whether that’s from a demo file, an audition file, or any other file, will not be used to develop a new synthetic voice.”
To that I say: How do we know we can rely on VDC? What have they done lately to earn our trust? Why does VocaliD need to enter into a partnership with VDC? If they’re looking for fresh voices, there’s nothing preventing them from posting a job on the platform and take it from there.
If you’re a VDC member and you find this new development as unconscionable as I do, you have a choice to make. Are you going to leave or are you staying? That’s where your power lies. Companies like VDC can only exist because their 500.000 purported users keep them afloat. The paying members are in fact enablers who support a business model that turns your voice into a commodity and takes away your rights to fair compensation.
Don’t you deserve better than that?
BUSINESS MODEL
I’m not saying it’s wrong for VDC to turn a profit. VDC is free to start partnerships all over the world. But what VDC is doing all over again, is selling out the very talent that helps them be in business in the first place. To that, I strongly object.
Let’s address the fear for a moment. Are you afraid that you won’t make any money without VDC? Perhaps you shouldn’t put all your eggs in one rotten basket. If you feel you must go Pay to Play, there are plenty of alternatives. Better still: find your own clients and make sure potential clients know where to find you.
Do you fear synthetic speech is going to put you out of business? I don’t see that happening, yet. It is and will be used for some of the jobs that are now handled by a human. The boring, repetitive jobs. But there’s plenty of fun stuff left that needs a personal touch.
But there’s another reason why I don’t think the synthetic VDC voices of VocaliD will soon be reading audio books to me or will feature in a national commercial. Why? Because frankly, they sound like… synthetic voices. I can’t imagine any major brand going for that. What do I mean?
Click here or click here to listen to some samples on the VocaliD website (be sure to scroll down).
Am I right?
NO BIG DEAL
In the world of AI voices, VocaliD is small potatoes. The real threat comes from the big guns. Companies like Microsoft and Google (click on their names for examples). Their AI voices sound more and more natural every year. Adobe’s VoCo text to speech synthesizer is described as “Photoshop for the voice.” Some of the demos I have seen are pretty scary.
Do I feel threatened by these developments?
In my experience, those driven by fear are often insecure about their own abilities, and perhaps need to up their game to play at the highest level.
What worries me more than the shenanigans of companies like Voices dot com, are the hordes of voice actors who are going along with it without blinking an eye.
Those are the voices that could really use some artificial intelligence!
PS Want to know more about the possible criminal implications of voice cloning? Read this BBC story from 7-12-2021.
Ruth Weisberg says
I just listened to a synthetic voice recording of a heartfelt online obituary for a dear friend who died suddenly this week. The robotic sounding audio was just as pathetic as her tragic passing.
https://www.legacy.com/obituaries/mainlinemedianews/obituary.aspx?n=olivia-lehman&pid=191667296
I’m so sorry you lost a dear friend, Ruth. I just listened to the audio and had to stop after the first twenty seconds. My guess is that this is for the vision-impaired? It sounds awfully cold and mechanical. What a nasty way to ruin a tribute!
I said to not trust. Thank you Paul!
Great article, Paul. I agree that we don’t need to give in to fear. It’s important to keep informed so we can become more creative going forward. Thanks for sharing this information and keeping everyone up to date on the latest!
You’re welcome, Jean-Marc. As you say “Your voice is your brand.” I cannot imagine any company that would pick one of these synthetic voices over a real one, but I could be wrong.
Dear Pail:
Thanks for shedding light on this development.
Wow!
This is a disturbing piece of news!
I was very happy to support VocaliD early on in its purported mission to “speak for those who no longer can.”
Now part of my 4-hour “donation” might be used to help V.com in this partnership? I don’t like that at all. This isn’t going to ruin my day, but it still feels icky!
Regards,
Mike
Icky indeed, Mike.
Rights grabbing – all rights forever, to be used as the now-owner pleases – is why so many of us self-publish.
The traditional publishers have realized that there are rights they don’t even know they will be able to monetize yet – but will be worth money, maybe, some day. Contracts make the content producers, the writers, give up control, and sometimes even ownership of ALL work, not just work-for-hire.
The SP world has a number of successful authors preaching against the equivalent traditional publishers – and educating the newbies. Many of those are so thrilled to get a contract that they sign anything shoved in front of them.